![]() ![]() ![]() The diminished triad is slotted in a semitone above each major chord, acting as a chromatic voice lead (eg F, F#dim, G, G#dim, Am). The progression here outlines F, G, Am and C. ObjectImage:Tutorial%20images/Guitar/50-gorgeous-chords/2-movable-triad-460-100.jpgĮxample 3: Adding Diminished and Augmented Tonalities Here we have the added benefit of the D on the open fourth string acting as a low string 'drone'. In this case we are shifting a major triad shape laterally, following a I bIII IV harmony, this time in D (D F G). This example uses the guitar's strength of moving one shape along the neck to change key. ObjectImage:Tutorial%20images/Guitar/50-gorgeous-chords/1-triadic-inversions-460-100.jpg Here is a I IV V progression in G (G C D), drawing on three different CAGED chord shapes. Triads (three-note chords) can be fingered using different inversions (ie different chord tones as the lowest note) to great effect on the top strings. Triads: Three-string chords can sound surprisingly big. Scroll through the gallery above to see full-sized tab for each chord shape, or read on below for all 50 in one place! ![]() The emphasis is on producing strong, usable voicings that can be applied in real life situations, with flexibility and creativity, so you can rely on the fact that everything included in this lesson is valid in a real life playing scenario at some point. In this lesson we present 50 great sounding chords, ranging from simple triads to 'expensive' sounding altered dominant variations, so whatever style you play, from folk to metal, there will be something to interest you here. ![]()
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